‘Dillon Rogers also hints at the subtle influence of mothers with a series of photographs that overlay images of herself and her children. The subjects are nude, though “you can’t really see much of anything except the form,” Florence says.“In one image, [Rogers’] body is totally in focus and very present. In the other one, she’s like a mist. And it’s like, ‘Yeah, that’s totally it. When you think of the growing relationship you had with your mother, she was a person, but she also wasn’t.
“Because mothers are human, but they’re also not human. They’re something more than that.”‘
